Sculpture is not the core of my profession because I don't have the space to fully design all the pieces I would like to create, I prepare sketches and wait for the day when I can fully realize them.
I do more casting in this discipline, I take impressions in plaster, it is not the most ideal for obtaining the finest details of the model, but this material is easy, it has a low cost and allows the volume of a work to be put together quickly.
I also like to carve wood, work with material from nature, I can immerse a large piece of wood in a pond, wait years for it to be emptied for maintenance reasons and recover the piece voluntarily forgotten over the seasons which I rework, I sculpt, I polish, I finalize according to a personal emotional feeling towards the raw object.
I also sometimes assemble various objects that I might have discovered or recycle what I find interesting in order to put it on stage. I confront different elements, I merge, I decompose the materials to give life to my composition. By rendering in three dimensions I free myself from brushes and canvas, I offer a peripheral vision of my work which can be touched, rotated, seen from all sides and be exhibited according to the emotional feeling and preference of each spectator .